Modeling skills of Landscape Bonsai

Landscape bonsai is a combination bonsai style integrating rocks and vegetation, but it focuses on reflecting the magnificent mountain and green vegetation, the coordination effect between the two, etc., so how to combine often has to follow certain rules or rules, otherwise the layout will appear messy, unable to achieve natural beauty. At the same time, originality is also an important link in the process of landscape bonsai creation, because the rocks and plants are ingeniously conceived into extraordinary artistic conception, and the landscape effect will also be reflected incisively and vividly.

For landscape bonsai, there is a saying that landscape modeling is emphasized in modeling skills. In the process of making rocks and plants constitute complex landscape bonsai, 1-3 different opening and closing methods are usually applied. In the process of landscape bonsai creation, opening-closing is often composed of main, guest and scattered stones. After it is arranged in the basin, it will form a visual element in space, which can achieve the effect of all-round two-way radiation, thus bringing a sense of tension and expansion to the viewer. At the same time, because of its directionality in three-dimensional space, it can often form a kind of motion.

"Potential" is usually embodied vividly in landscape bonsai, not only through arrangement and combination to make it like a general array, but also in the process of arrangement and combination of rocks also need to make the tension of rocks change, thus presenting different forms of "potential." Under normal circumstances, the landscape bonsai take "potential" includes from, bear, turn, close, fall, knot and many other aspects. In a landscape bonsai with opening and closing characteristics, placing the main mountain is essentially the process of positioning the main potential in the landscape space, which is often called "starting" potential.

Around the main mountain, especially on the left and right sides, there is a general need to arrange guest mountains, and to make their display effect appear scattered, not arbitrarily arranged. Moreover, between the main mountain and other rocks, it is often necessary to perfectly reflect the natural transition and reception effect, so we call this effect "bearing" potential. Moreover,"bearing" potential has positive bearing and negative bearing, we need to scientifically and reasonably carry out potential landscape according to needs, so that it can finally achieve our expected effect.

Under normal circumstances, the main mountain and guest mountain in landscape bonsai are opposed to each other, but at the same time there is a unified relationship between the main mountain and the guest. In the overall effect of landscape bonsai, the "main" potential often plays a role in the opening and closing of the total potential, while the "guest" potential is often in the opposite state, so in this process we also call it "turning" potential.

In the place where the momentum of the main mountain falls, there can be transition links, original or no transition links, but if there is a transition link, you need to find the landing position of the transition rock, and this landing position is called "falling" potential. For general landscape bonsai, usually close to the main mountain rock part of the main mountain "fall" potential drop point.

However, the border between the main mountain and the guest mountain in the landscape is often a junction point in the process of opening and closing the landscape bonsai, and this junction is often called the knot "potential." However, for these joints, we generally do not use larger stones to connect, but more scattered stones to achieve. Although the scattered stone is a little small, it can still play a certain "potential" effect.

In the rock bonsai, the balance of the potential generally needs to master a degree, that is, the "walk" potential or "break" potential needs to reflect tension or change in the relative balance state, so that people can feel the visual tension in the viewing process. And in addition to taking "potential", in the landscape bonsai can not ignore the effect of foil. For example, the size of the rock, the main mountain and guest mountain, the density between the foil, the exposure and concealment of the foil, etc., often need to be based on the theme of the creator's conception and techniques to achieve. Usually only master the rules, according to the rules, often in order to make landscape bonsai achieve "exquisite" effect.

Time: 2019-06-03 Click: