A group of bonsai masterpieces enjoy one tree, one scene and one rhyme.
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Lingnan bonsai master imitates nature, which comes from nature and is higher than nature. With the unique modeling technique of "storing branches and cutting dry", it does not deliberately peel off the skin and break the bone, show respect for life and follow the way of nature; reproduce the natural style according to the painting theory of "thousands of miles close at hand" and "see the big in the small"; Lingnan bonsai is one inch and three bends, shrinking dragon into inch, branches and veins are transparent, see the crown into shade; its artistic conception is profound, poetic, not attractive, elegant style; bark old trees, hanging roots and claws, piercing through the air, fully showing the vicissitudes of life and ancient rhyme.
Although Lingnan bonsai has its unique charm, bonsai creation, no matter which school, should conscientiously absorb the advantages of other schools, apply art in accordance with their aptitude, shape according to their aptitude, respect life, follow phenological principles, learn from nature, and strive to make a tree a scene, a tree and a rhyme.
My obsession with Lingnan bonsai is not one or two days, but for works, I only recognize classics. No classic works have been created, and when it comes to famous teachers, the so-called honor is also pale. It is the hard truth to speak with works. It is not easy to achieve a classic work, but only classical works have vitality, and only classical works can be passed on and handed down. The following are the works exhibited at the 10th Guangdong, Hong Kong, Macao and Taiwan Bonsai Expo. Not all of them are master works, but I never get tired of seeing them. I slowly taste the details of the whole, part, nature, change, artistic conception, painting conception and so on. Every time I appreciate it, I have a different feeling. I always feel that "the master is in the folk"!
Lingnan bonsai official account editor, reprint please indicate the source.
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