MySheen

Is the landscape too quiet? Add a little bit of curve smart

Published: 2024-11-24 Author: mysheen
Last Updated: 2024/11/24, The winding and undulating music of the mountains, the lingering song of running water, the dark flowers of the road, the arch of the covered bridge, the ileum of the corridor, and so on, all illustrate the charm of the curve in the natural landscape. Through the beauty of the curve to create for the city.

The winding and undulating music of the mountains, the lingering song of running water, the dark flowers of the road, the arch of the covered bridge, the ileum of the corridor, and so on, all illustrate the charm of the curve in the natural landscape. Through the construction of the beauty of the curve, the artificial landscape that provides ecological services for urban residents, and these artificial landscapes, which focus on the beauty of nature, can enlighten urban residents to feel the natural aesthetics.

the winding path leads to a secluded quiet place

The road is oriented, because it will bring people a state of expectation and yearning. The composition style of the curve is formed by the continuous connection of peaks and valleys, so the orientation of the curve road is more profound and quiet, the opening and closing of spatial relations change.

The use of curve mobility in the water landscape can not only play a transitional integration of land and water, but also make visitors have the characteristics of moving with the water, rich visual changes, diverse levels, strong overall continuity and so on.

drink water from a winding canal with one wine cup floating on it so as to wash away ominousness

The origin of the winding water and the display of the modern landscape are not only a tribute to the Chinese garden tradition, but also a new look of Chinese landscape design. Water printing its delicate and smooth curve combination, linear flow direction expansion momentum, and vertical space is also beautiful changes, full of vitality, making it the biggest bright spot.

 
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