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Small Bonsai Concentrated Large Landscape Wonderful Nature

Published: 2024-09-19 Author: mysheen

Last Updated: 2024/09/19, "Small bridge and flowing water slope, deep in the house. Far away the path to the firewood late, unintentional flowers fall." This is the artistic conception of bonsai art. Living in the city for a long time, I often hear the roar of cars in my ears, and I often see reinforced concrete in front of me, but I don't know that there is a paradise outside the world. In modern times, right...

"small bridge and flowing water is oblique, and there is a family in the depths. The long way back to the woodcutter was late, and flowers fell inadvertently. " This is the artistic conception of bonsai art.

I have lived in the city for a long time, and I often hear the roar of cars. I often see steel and concrete in front of my eyes, but I don't know that there are Taoyuan outside the world.

In contemporary times, the appreciation of bonsai does not seem to be as deeply rooted in the hearts of the people as tea ceremony and incense. However, a beautiful bonsai work can better reflect the true meaning of life-"obey the nature of things, because things are natural, do not set up and do nothing."

Bonsai art has a long history.

China, known as the "mother of the world garden", is the founder of bonsai art.

"the origin of bonsai is very early in kind, about 7,000 years ago, on the fourth cultural level of the Hemudu site." Ao Yan, an associate professor at the School of History of Nankai University, said in an interview with reporters, "according to archaeological findings, two pieces of pottery are engraved with potted plants, one with five leaves, but we don't know exactly what kind of plant it is, while the other has three leaves. This is a carving on pottery, not a real thing, but it shows that potted plants have already appeared at that time. "

A mural from the Eastern Han Dynasty was unearthed in a Han tomb in Wangdu, Hebei Province. there are flowerpots with six red flowers on them, which are basically the same as our flowerpots today, and there are square seats under the pots, which shows that they have developed from potted plants to ornamental use of edifying temperament at that time.

There are many potted plants in the paintings of the Song Dynasty. Ao Yan told the reporter that there are such records in Wang Shipeng's Yansong Ji in the Song Dynasty: "savages are from Yansong to Meixi, with heterogeneous clusters, rooted in fist stone, Mao is not alone, forest is not Qiao, cypress juniper body and pine atmosphere, hide the earth-shaking meaning in the Ying grip, but also the wonder of plants and trees."

During the Wanli period of the Ming Dynasty, Tu long's "Kao Pan Yu Shi" has a special section, called "potted play Paper", which is a systematic carding of potted plants. Coincidentally, Wen Zhenheng, a big contemporary player, has a special article in the Chronicles of long things, which also talks about bonsai.

Bonsai occasionally recorded during the Jiaqing period of the Qing Dynasty is a book dedicated to bonsai, which is respected by later generations.

Silent poetry, three-dimensional painting

Although the bonsai is small, it is a shrinking landscape and landscape, pursuing to reproduce the divine appearance of nature in a small basin. It is implied in the hilly forest spring, ingenuity, expressing people's yearning for the charm of nature. Because of this, bonsai is called "silent poetry, three-dimensional painting".

Chinese bonsai is mainly divided into tree bonsai, landscape bonsai, tree and stone bonsai and miniature bonsai.

Bonsai trees with woody plants as the main material, after pruning, banding, shaping and other artistic processing and careful cultivation, reproduce the natural plant landscape.

The landscape bonsai takes mountains and rocks as the main material, through intercepting, carving, layout, gluing and other techniques, and properly configuring plants, decorating kiosks, bridges, boats and other accessories to reproduce the landscape style of nature, reaching the realm of "one peak is Taihua thousand fathom." one spoon is ten thousand miles of rivers and lakes.

Taking plants, mountains and rocks as materials, combined with the creative techniques of tree bonsai and landscape bonsai, tree and rock bonsai combine trees and rocks into a landscape, and carefully deal with elements such as topography, geomorphology, foot of slope, waterfront and so on, in order to achieve the best effect. miniature bonsai is made of miniature trees, landscapes, trees and stones, comfortable between fingers and in the palm of the world, and can be decorated in the form of desk, bookshelf or window, and can be combined with more pieces. Equipped in the ancient shelf, it is a kind of comprehensive display art.

Shrink the dragon into an inch, thousands of miles away

Aoyi said that due to differences in regional environment and natural conditions, bonsai art in China is traditionally divided into five schools: Lingnan School, characterized by vigorous nature; Sichuan School, characterized by Qiu qu; Su School, characterized by elegance and elegance; Yang School, characterized by solemn and dignified; Hui School, characterized by simplicity and peculiar; Shanghai School, characterized by bright and smooth.

Among them, Yangzhou School is good at using brown silk to tie each branch of potted plants into s-shaped bends-"one inch and three bends", with an oval crown (called clouds) at the top, imitating the elegant clouds in the sky-because the high mountains and ancient trees are pressed by the wind and snow, so that the crown forms a flat state, which is also similar to the shape of Yunshan smoke trees in Chinese painting.

The tree species of the Lingnan School are different from those of the North. They often dig small stumps from the mountains and trim them into a scene, often using the Lingnan style of Chinese painting. The distribution of foliage is natural, and the Shiwan pottery basin, a specialty of Guangdong, is adopted. This school is more popular in Hong Kong.

Su School is also used to using wild old roots, planted in spacious pots, according to the traditional method of pruning and shaping, coarse tie and fine cut, its crown cut into an arc, staggered cascading, a school of ancient wood elegant temperament.

The artistic conception of bonsai is reflected through the layout, the so-called layout is the layout of the scene, that is, composition, modeling. In order to show the towering ancient trees and thousands of ravines in the small basin, we need to rely on special artistic techniques. In the layout, there should be primary and secondary, size, far and near and before and after, according to the appropriate proportion to deal with, in the change to achieve harmony and unity, in order to receive the artistic effect of seeing the big in the small.

Bonsai layout requires natural variety, each has its own interesting, because the trees in nature are uneven, the jungle is low and scattered, the solitary trees lean, the color is thick and dark, and the shape is dense. Therefore, in the arrangement of the scenery, it is required to be scattered in front and back to avoid neatness and symmetry.

Bonsai, with its "dragon into an inch, close to thousands of miles" technique, the mountain scenery, trees, flowers and stones gathered in the basin, so that it presents a variety of artistic conception of nature. It comes from nature, but it is higher than nature, and it is an organic combination of natural beauty and artificial beauty. Put a pot indoors, so that people do not leave home and experience the realm of "picking wild flowers by the fence and inadvertently seeing Nanshan".

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Very cool article!