If there are no flowers in mind, how can you enjoy Wang Zhijun's flower and bird works

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Madi

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If there are no flowers in the heart, how can the pen bloom

Appreciation of Wang Zhijun's Flower and Bird Works

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Heaven and earth qi, each has its own way, and people also follow it. Painter Wang Zhijun, No. Zhujun. Born in Baicheng City, Jilin Province in 1969, he is now a member of Jilin Province Artists Association, vice chairman of Baicheng City Artists Association of Jilin Province, vice chairman of Taobei District Artists Association, and likes painting and calligraphy since childhood. In 2011, he resigned and went to Beijing to follow the famous painter Liu Cunhui to learn modern freehand flower and bird painting. His works are mainly freehand brushwork style, especially good at maple vine series panoramic flower and bird painting. His works have participated in various exhibitions for many times and won many awards. Some of his works are collected by museums, institutions and individuals.

Among the thousands of plant species in nature, creeper is a common vine plant, also known as maple vine. It has dense branches and leaves in summer and often climbs on walls or rocks. A chance opportunity Mr. Wang Zhijun in the mountain painting, found a large area of creeper climbing among the rocks, leaves swaying with the wind, branches densely intertwined, like a beautiful landscape painting, he with the artist's unique vision, in the taste of nature's creation inspired his own creative inspiration, so he began to choose maple vine into his artistic breakthrough.

Every time we appreciate Wang Zhijun's works of maple vine series, we feel as if we are in a tropical rain forest, breathing the warm and charming breath of nature among the flowers, and really have the impulse to devote ourselves to it and stay in it forever. Wang Zhijun, a diligent creator and cultivator of the world of flowers and birds. His works are characterized by exquisite and rigorous composition, full and dense, and not chaotic, gorgeous and brilliant feeling.

From his works, we can feel that the painter integrates the perspective effect of landscape painting into the creation of flower-and-bird painting. His works not only express feelings with objects in flower-and-bird painting, but also express the artistic conception of landscape painting by borrowing scenery. With the expression form of panoramic flower-and-bird painting, he integrates the spatial expression relationship of landscape "perspective, close-up and middle scene", making the content of his works richer and more unrestrained! As we all know, flower-and-bird painting pays attention to interest and landscape pays attention to artistic conception. Wang Zhijun introduces the artistic conception of landscape into flower-and-bird painting. He is accustomed to using rich and rich composition methods, the scenery is overwhelming, just like the visual range of "middle ground", rich in visual tension, he is also good at reproducing the rich changes of natural space levels with superposition techniques, and advancing the space to depth with the method of alternating virtual and real, so that his works form the artistic conception beauty of "profound" effect of landscape painting.

Over the years, Mr. Wang Zhijun has carefully captured the most "interesting" pictures in nature, and has devoted himself to the green shade cover and lush scene of nature. It seems that in front of us is a community of plants shining with the brilliance of life, he or with rocks to set off flowers, or with birds and cordyceps dotted with vitality, or with streams and springs to create a charming artistic conception. For a painter, pen and ink is a lifelong thing, only in the constant attempt to perfect, can adapt to the aesthetic and needs of the times, life we are familiar with the theme usually do not attract attention, only in the season changes when it feels the beauty, and only different forms of expression can convey different connotations.

For example, in the work "Morning Breeze Qingyun," the subtle technique shows mysterious light and shadow effect, with different ink and color to form a subtle space, rattan endless changes, rich and flexible pictures, simple and natural rocks, deep Huazi, vine growth order, proper gathering and scattering of virtual and real, vine leaves tilt, and the rendering atmosphere of the environment is just right. He is good at rendering the high brightness of vine leaves with the low brightness of branches, so that the thick ones are thicker and the delicate ones are more delicate. In texture, the craggy rocks and the softness of mountain flowers form a sharp contrast, fully expressing the painter's independent painting language and artistic style.

And in the work "Maple vine autumn rhyme" in the whole work to red and yellow mainly, colorful, fully reflect the rich colors of autumn, and then to the ink of the rocks against the natural environment that autumn should have. He sought the rhythm of life, taste and pleasure of life from the luxuriant and complex verdant. From this, we have to admire his unique vision and wisdom in the field of painting. He could find the sustenance of life in the intertwining, climbing, parasitic, alternate communities of plants, and thus express their vigorous spirit and harmonious and beautiful relationship. The changing brushwork, the dense composition, the delicate touch, the clear and bright color, the fresh and elegant, the rich color tone in the unity, the fresh, steady, bright and beautiful, and the style of the work. From Wang Zhijun's works, we can read the painter's deep attachment to nature. He can express the most common and common maple vine in nature so perfectly and vividly. It can be seen that the painter's unique observation vision gradually finds out his unique expression form through countless failures.

Looking at Wang Zhijun's flower-and-bird works, in composition, he did not completely extend the traditional flower-and-bird composition and composition relationship. He intercepted fragments of nature and used fragments of scenes to paint instead of three or two horizontal scenes to express fragrance. Mr. Wang Zhijun used techniques such as dot, hook, chink and rub to increase the color thickness, layering and spatial sense of the picture. Compared with tradition, his works have a sense of the times, especially splashing color and ink and freehand brushwork. He mixed the work with writing to make the works dripping and smooth. The picture is rich and full of life.

In the use of color, pure color highlights its own personality, especially in the use of environmental color. In the works with cool color as the keynote, although the whole work takes gray or heavy cool color as the keynote, the gray color that dominates the picture not only does not have a sense of depression, but reveals a kind of ethereal poetic beauty. Several green fruits at the bottom of the painting represent the vitality of spring and give people unlimited imagination. In the warm color works, the whole work is mainly red and yellow, giving people a strong warmth and artistic effect of layers of forest. Appreciating Wang Zhijun's paintings not only gives people a simple pleasure, but also contains more meanings and thoughts. The holiness of white, the elegance of gray, the blazing of red, the thickness of black, and the birds on the works or looking back or flying freely are all yearning for hope and peace, all of which leave endless voice-overs.

In the use of lines, he emphasized different linear, long or short or thick or thin or tortuous or cross organization, he was good at organizing all kinds of shapeless lines, and thus evolved irregular shapes to combine lines with shapes, enhance the richness and expressiveness of lines, and also make the performance of plants appear in various forms, infinite and far-reaching. The works have a deep and wide realm, a sense of ethereal, and the ink and line and color are properly handled, adding vitality to the image. All these constitute Wang Zhijun's personality style of flower and bird painting today.

Mo Wu's life was wonderful. I think this sentence is most appropriate for Wang Zhijun. He deduces the rhythm and rhythm of dots, lines, surfaces, colors and inks in rich layers, thus forming a new lyric mode and aesthetic value. While praising nature poetically, he also built up his own aesthetic thought. Such works got rid of the traditional format, emitted rich life flavor, and were filled with fresh style like sunshine and rain, which made the works closer to the aesthetic needs of contemporary people and aroused the audience's resonance.

Wang Zhijun Profile:

Wang Zhijun, male, born in 1969 in Baicheng City, Jilin Province, studied with famous painter Liu Cunhui in 2010 and was accepted as a disciple. Now he is a member of Jilin Province Artists Association, vice chairman of Baicheng City Artists Association, vice chairman of Taobei District Artists Association, vice president of Painting and Calligraphy Institute of Taobei District, painter of Painting and Calligraphy Institute of CETV China Education Television Station, and contract painter of Card Stamp Network.

In June 2012, he participated in the 20th Anniversary Exhibition of Taobei District in Baicheng City.

In July 2012, he participated in the Central Digital Painting and Calligraphy Channel and participated in the first session of the Painting and Calligraphy Channel Teacher and Student Works Exhibition.

In August 2012, Wang Zhijun and Yu Huizi freehand flower painting exhibition was held in Baicheng, his hometown.

In 2013, he participated in Baicheng City New Year Painting and Calligraphy Exhibition.

In November 2014, he participated in the Changbai Mountain Artists Association Exhibition.

In 2015, he was hired as a contract painter for the card stamp network.

In August 2016, his works were included in the stamp album entitled "Celebrating the 95th Anniversary of the Founding of the Communist Party of China" and published.

In December 2016, he was hired as a painter of CETV China Education Television Painting and Calligraphy Academy, and participated in the 2017 Painting and Calligraphy Spring Festival Gala of Education TV Station.

On March 3, 2017, he participated in Liu Cunhui's Modern Freehand Flower and Bird Painting Teaching Achievement Exhibition at Beijing 798 Art Center.

In June 2017, he participated in the Painting and Calligraphy Exhibition of Taobei Laocheng District Reconstruction.

In February 2018, he participated in the calligraphy art photography exhibition of the new era and new weather in Baicheng.

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