At first I thought it was just some ordinary bonsai, but it was actually some heavy national treasures.

This bonsai is called "material stone flower bonsai", belongs to the product of the Qing Dynasty, with agate, Tianzhu, white jade, Tianzhu top red fruit for coral beads, white jade for flowers, sapphire for leaves, the whole shape is full of vitality.

This bonsai has vigorous branches, delicious flowers and plants, with enamel corners painted in a square basin and flowers with broken branches on the outer wall of the basin. The main plum tree takes copper as its leaves and teeth as its petals. Surrounded by dyed stone mountain and crystal crabapple flowers, milky glass camellias, copper grass and so on. The scenery is beautiful and elegant. Lamei bonsai means "longevity in spring". This is one of Qianlong's favorite bonsai in the thirteenth year of Qianlong.

This bonsai is "wooden crabapple-style pot green bamboo"; the mouth of the basin is painted with gold paint, the outside of the basin depicts ice plum patterns with gold paint on the light blue ground, the flowers are with red hooks, bright colors are pleasing to the eye, and the top is covered with green leaves. Beside the bamboo pole, there are three green jade lake stones and one green bamboo shoot. Bamboo poles embrace each other, lake rocks and bamboo shoots are a little far away, and the complexity and simplicity are interesting to each other. This wooden crabapple-style potted green bamboo bonsai is of precious material, exquisite production and elegant style, so it is a good product in the desk supply.

This is called "beeswax bergamot bonsai". Beeswax bergamot bonsai, Qing Qianlong. Painted enamel diamond flower pot, the outer wall of the basin is painted with peony patterns on the deep and light lake blue ground. The main scene on the basin is bergamot tree, incense wood branches, golden stamens and white jade flowers, beeswax bergamot fruit. The tree is lined with rose and orchids, grass and so on. Chinese rose takes copper as its branches and leaves, with gold-plated branches and blue leaves, with colored materials and corals as petals and hibiscus as buds. The panorama is vivid and vivid. The homonym of "bergamot" and "Fushou" is a widely used theme in handicrafts in the Qing Dynasty. This bonsai is exquisite and ingenious, reflecting the craftsmanship of Suzhou elephant bonsai production during the Qianlong period.

The picture shows "Red Coral Tree Bonsai". In the middle of the Qing Dynasty, it was made by the office and the old collection of the Qing Palace. Three-layer peach-shaped basin, combined with gold chisel, silk enamel, painting enamel and other processes. The branches and leaves of copper pole and silk enamel are coiled at the bottom and interspersed between three layers of double peaches. The production process of this bonsai is very complex, which combines a variety of techniques, such as silk enamel, painting enamel, flower chisel and welding bonding, which is more difficult than ordinary enamel technology. The great coral tree is red in color, as thick as a wrist, as wide as a fan, and quite spectacular. It is an auspicious scene only displayed by the Qing court on the day of the birthday ceremony of the emperor and queen.

This is "painting enamel rectangular basin magnolia bonsai", bonsai with magnolia as the main scene. Magnolia petals are made of carefully polished stone, and the flowers are made of copper receptacle and wire. Its petals are flawless, the flowers are lifelike, or in bud, or in full bloom, coupled with purplish red tree trunks, revealing elegant temperament. Under the tree decorated with stone wild chrysanthemum, and set off with lapis lazuli rockery. Painted enamel basin edge and foot decoration back pattern, basin belly to cyan as the ground, full of entangled flowers, colorful. Magnolia is a traditional auspicious flower in ancient times, and there are not a few bonsai with Magnolia as the main landscape, but from the point of view of production technology and landscape layout, this bonsai is an excellent work.

"Blue Jade Chrysanthemum Pot Narcissus Bonsai", mid-Qing Dynasty. This is the bonsai with the theme of Narcissus, named "Zhi Xian to wish birthday". According to the record of "the order in the Palace": "on October 27, the 56 year of Qianlong, Fukangan came to Beijing to present a pair of Jasper Narcissus bonsai." This is one of them. This bonsai style is elegant, and the jade basin is a typical Zindustan style, with tall and straight tooth leaves and bright jade flowers, reflecting the craftsmanship level of the sculpture industry during the Qianlong period of the Qing Dynasty.

This style is called "Croucher Fairy Bonsai". In the middle of the Qing Dynasty, Croucher originated from myths and legends. In the Museum Records of Zhang Hua in Jin Dynasty, it is recorded that someone drifted away by Croucher in the pan-sea and unexpectedly met a cowherd and a weaver girl. Later generations attached the story characters to Zhang Qian, saying that he used Croucher to find the source of the Yellow River. At present, it is known that the earliest Xian Croucher as the handicraft subject is Zhu Bishan, a famous silver craftsman in the Yuan Dynasty, and his silver Croucher has spread to this day.