Jungle bonsai layout

Everything is a unity of opposites. All artistic modeling principles are in line with the law of unity of opposites, organic unity and complex diversity is the principle of unity, is the dominant principle of aesthetic form, the key to bonsai modeling lies in the layout (also known as composition), the basic principle of all composition is equilibrium, it contains change, unity, jungle bonsai is to study how many trees live together. How to get along? How to show group beauty on the basis of single beauty?

This is the key to the shape of a bush bonsai, in a word, to study the relationship between trees--between whole and part, between part and part, between this tree and that tree, which requires us to apply the law of change and unity, so that the shape of the combination of many trees conforms to the law of balance in composition and the law of structural beauty in all forms. Painting is composed of paper as a picture, bonsai is composed of imaginary pictures with the height of trees (stones) and the width of pots. It is necessary to fully grasp the principle of equilibrium, so that the jungle scenery can be changed in unity, so that the picture composition can achieve both diverse and unified artistic effects. Equilibrium refers to the visual image on the picture being compared with the weight of the object. With the center of the picture as the fulcrum, the balance of weight is compared with the balance of the picture to obtain the asymmetrical symmetry of the picture. Unbalanced balance. The weight of visual images is measured according to the size of the area, the depth of color, and the influence of people's lives on the potential consciousness of the mind, such as: people are heavier than animals, animals are heavier than plants, moving is heavier than static, oblique lines are heavier than vertical lines and horizontal lines, and the distance from the fulcrum (the center of the picture) is much heavier than the distance.

When the state of matter is in a state of parallelism, symmetry and balance, it is unified and less variable. If only change is sought, it will be chaotic if unity is not sought. Therefore, diversity and unity are the basic principles of all excellent composition. If the three trees are arranged in parallel, only unified and less variable, they will be rigid; if the three trees are placed in disorder, they will be disordered, so two trees must be unified, one tree changes, two trees gather and one tree scatters, resulting in an artistic effect of both change and unity as a whole. This is the basic law of equilibrium and unity of diversity. According to this principle, when seeking an imbalance in the sense of form and a balance in the sense of quantity, a series of contradictions will arise, such as emptiness, lightness, density, aggregation and dispersion, etc. In the past, we put forward 32 artistic dialectic rules in studying the common law of dynamic bonsai modeling. Most of these rules are applicable to single tree modeling, but they are all applicable to guiding the modeling of jungle bonsai.

In particular, the whole and part, subject and object, competition and concession, care and hope, hidden and exposed, empty and real, heavy and light, dynamic and static, flat and strange, complex and simple, etc., are the keys to our comprehensive handling of the relationship between trees, which need to be carefully grasped and applied on the spot. If the jungle bonsai does not say "there is heaven and earth", it will not see the sun on the top and no place to stand under it; if it does not talk about density and concentration, it will be flat and monotonous, without a sense of balance; if it does not talk about hiding and hiding, it will be unobstructed and empty; if it does not talk about size and distance, it will be full of pots and no hierarchy. Without movement, danger and stability, it will be rigid and lonely; Without backward and relaxation, the direction will be unclear and the movement will not be distinguished; Without competition and interpenetration, it cannot conform to the principles of nature; Without looking around and supporting, it is difficult to reflect the author's feelings. Without distinction between host and guest, it is like rabble; without highlighting the main body, the responsibilities of each department are unclear. Therefore, the whole needs unity, seeking change on the basis of unity, and "seeking singularity in peace"; partial changes, seeking unity in change, and "seeking unity in chaos". In order to achieve the artistic effect of harmony and unity of the whole and part. All things are full of contradictions, we must grasp the main contradictions, fully understand their dialectical relationship, both mutual contrast, mutual transformation, mutual restriction, interdependence. All conclusions are always drawn by comparison, and the method of organization of bush potted plants can only be proved in practice by studying typical things. If compared with the two trees, it can only show the difference between up and down, left and right, front and rear, size, distance and shade, but cannot show the difference between density, aggregation, hiding and exposure, actual and false. Only the comparison of three trees can show the above effect through the mutual transformation and interdependence of contradictions. Therefore, it is appropriate to study the combination change of forest potted plants, at least the combination of three trees, because it has the basic characteristics of contradiction change and is full of diverse unified philosophy. "Three-tree combination method" both pass, then five trees, seven trees and even multi-tree combination, can be similar bypass, this so-called draw inferences from three, with less wins more.

layout

Layout is very important, is related to the success or failure of the jungle bonsai production key. The position of the main tree should be determined first, and then the position of the auxiliary tree and the lining tree should be considered. The main tree should be on the left or right side of the basin about 1/3, slightly forward or backward, not in the middle or edge of the basin. Too rigid in the center, and unstable at the edges. The secondary tree is on the other side of the main tree, farther away. The trees are closer to the main tree. If the planting points of three trees are connected, they should form an equilateral triangle. On the basis of three trees, multi-plant co-planting is flexible on the basis of three trees, and three trees are avoided on the same straight line as far as possible. The number of trees in the jungle bonsai should be odd. Before planting, try placing each tree in the pot several times, trying to put each tree in the best position. Multi-plant joint planting should pay attention to the relationship between main and secondary, sparse and dense, empty and solid, high and low, far and near, dynamic and static, exposed and hidden, competition and concession, etc., and strive to distinguish between primary and secondary, proper density, uneven height, appropriate dynamic and static, exposed and hidden. Works should have a strong sense of integrity, both unity and harmony, but also rich in change.

Four Taboos for Forest Bonsai Cultivation

A bogey one-size-fits-all jungle-style bonsai materials are generally used for lobular shrubs, such as tiger thorn, sparrow plum, broom, June snow and so on. When planting these small leaves in potted plants, we must choose the right size, not the same height and thickness, and strive to have changes. In many stumps, it is not suitable for similar sizes and heights, otherwise the landscape will be rigid, lack of vitality, and no charming "wild interest" at all.

Second, avoid dense and unventilated jungle or bonsai trees to form a jungle, and this jungle is not as primeval forest, such as dense and unventilated words, will affect the viewing effect. A few tree stumps should have advance and retreat, bow and give way, and make the space density change, there are compact places where needles cannot be inserted, and there are open places where horses can ride. In this way, the composition of the ups and downs, the formation of the landscape will produce artistic charm.

Three bogeys deep basin dish Under normal circumstances, jungle bonsai to show the jungle wild, wilderness scenery, so it is not appropriate to choose deep basin dish. If the pot is deep, the tree appears small and the space displayed is relatively small. The shallow basin is tall, the space becomes relatively large, and the visual effect is more profound. And the use of shallow pot planting, but also in the pile of soil slope with stone, so that the foundation ups and downs, the picture is more lively.

Four bogeys do not prune jungle stumps Bonsai is often a number of trees into a scene, and these trees in addition to their own unique shape, there are overall relationships between each other, tree and tree gap changes, so as to form a complete composition. In addition, most of these small leaf shrubs are fast-growing trees, usually sprouting ability is strong, such as a long time without pruning, often branches, tangled, and then to modify and have to spend more energy, so only at ordinary times pay attention to pruning, in order to ensure ornamental value.

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