Xinkong bonsai collection Qing Palace old collection of artificial bonsai value stunned you

The scenery made of precious materials such as jewelry, jade, jade, coral, gold and silver and agate in the court of the Qing Dynasty, together with pots made of gold and silver, enamel, jade, carving lacquer and mosaic, are called bonsai.

The bonsai of the Qing palace is mostly made by the mosaic of the office of the interior government. in the event of the empress dowager, the emperor celebrating his birthday, the emperor's wedding, and so on, ministers and local officials also have to offer bonsai as gifts. These bonsai often use moral meaning and homophonic to symbolize auspiciousness, longevity and equality.

▲ material stone plum blossom

It is now in the Palace Museum in Beijing and the old collection in the Qing Palace.

Qing, made by the office, with a height of 30.5 cm.

Agate carved bergamot as a basin, bergamot one big and one small embraced together, and skillfully carved a butterfly on the basin wall. The basin is equipped with carved wooden seats. The plum tree is made by wrapping copper wire with green silk thread and bending into branches. The silver gilded calyx and stamens of plum blossom are welded at the top of the copper branch, and the copper wire is wrapped with red silk thread as the core pistil, and the five petals of plum blossom are made of white jade and white material, inlaid between calyx and stamens. The buds with buds are inlaid with white jade or hibiscus stone on the silver calyx, and the flowers and leaves are carved with sapphire. The plum blossoms are dotted with a few carved chrysanthemums, whose petals fall off slightly over time, the leaves are made of dyed ivory, and the veins are sketched in gold colors.

This scene is full of flowers, pavilions and pavilions, thin but not weak, soft and strong, bright and beautiful colors, a white plum blossom and agate basin complement each other, elegant and clean without losing charming charm.

▲ dyed teeth Narcissus Lake Stone Bonsai

It is now in the Palace Museum in Beijing and the old collection in the Qing Palace.

Clear, made by the office, the height is 27.6 cm, the basin height is 6 cm, the length is 26.6 cm and the width is 17.3 cm.

The bamboo roots are carved and spliced into short feet, the basin walls are decorated with geometric dragon patterns carved on four sides and dyed, and the edges are outlined with dark lines. The basin is made of stone scenery of Narcissus Lake, yellow poplar wood carved daffodil bulbs, green dyed tooth leaves, flowers, hearts and buds are all carved ivory, and the receptacle is made of boxwood. The lake stone is carved with rosewood.

There are two lake rocks in the middle of this bonsai, and two daffodils grow on the side, with soft and changeable lines. Ivory and boxwood are delicate and soft, while the lake stone carved with red sandalwood is rough and steep, flowers and leaves are bright and bright, and the lake stone is calm and thick in color. the materials, colors and shapes of the two complement each other. This scene has exquisite craftsmanship, realistic, fresh and simple, and elegant style, which can be said to be unique in the palace bonsai craftsmanship.

▲ Croucher Immortals,

It is now in the Palace Museum in Beijing and the old collection in the Qing Palace.

Clear, made by the office, with a height of 39.5 cm and a widest point of 54 cm.

Take the natural wood root carving as the Croucher boat shape, and under the Croucher take the painted clay sculpture wave as the support, and the hole in the wave is inserted into the ivory carved lotus flower, lotus leaf and lotus pod. A copper gold-plated four-out sunflower petal type enamel basin with a small tourmaline peach tree is placed on the head. In the middle of the Croucher sat an old man carved with dyed teeth, with a long beard and chest, caressing his knee with one hand and a picture scroll with the other, looking serene. The old man placed a silk enamel disc in front, filled with grapes, a hexagonal bottle of chisel enamel behind him, and ivory chrysanthemums in the bottle. The tail is wound around the copper gold-plated rattan, rolled up like the dragon's tail, covering the old man, hanging the white jade gourd and burning blue leaves, delicate and lovely.

Croucher originated from myths and legends. In the Museum Records of Zhang Hua in Jin Dynasty, it is recorded that someone drifted away by Croucher in the pan-sea and unexpectedly met a cowherd and a weaver girl. Later generations attached the story characters to Zhang Qian, saying that he used Croucher to find the source of the Yellow River. At present, it is known that the earliest Xian Croucher as the handicraft subject is Zhu Bishan, a famous silver craftsman in the Yuan Dynasty, and his silver Croucher has spread to this day. During the Ming and Qing dynasties, Xian Croucher was brought into the auspicious pattern system, which was similar to the eight Immortals crossing the sea, which was endowed with the meaning of birthday and won the precious love of the royal family, which was one of the common themes in the palace handicrafts of the Qing Dynasty. The structure of this scene is symmetrical, the scenery is scattered, and it is full of decorative interest. With a variety of materials, rich colors and difficult skills, it can be called a classic of similar products.

▲ inlaid jade fairy birthday picture bonsai

It is now in the Palace Museum in Beijing and the old collection in the Qing Palace.

Made in Suzhou in the middle of the Qing Dynasty, it is 7.3 cm high, 90 cm long and 37 cm wide.

Red sandalwood vertical moire eight-legged seat, the edge of the seat is equipped with copper-plated "ten thousand" pattern railings. There is a natural wooden mountain in the block, full of ancient spirit. The mountain uses white jade, Jasper, agate, jadeite, tourmaline, pine stone to make Ganoderma lucidum, Xiantao, Yao grass Jiahui and so on, hanging upside down between the pore stalagmites and colorful. There is a round blue-top pavilion on the hillside. Seven fairy Weng or stand on the hillside, or walk together in the mountains, or sit in the pavilion and talk freely. Jade Hekou holds the immortal grass flying from the top of the mountain, while the jade deer lies by the hillside pavilion, looking up at the spiritual grass above.

The landscape, which implies the birthday of the fairy, is generous in shape, exquisite in character depiction and different in manner. Flowers and plants and birds and animals, such as clear color, dense alternation, scattered, quite interesting, is a medium-and large-scale landscape of meticulous work.

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